| Hark! hear you not a chearful noise (2002) (mp3) (rm) | 1:30 |
| SATB chorus and two percussionists | Percussion parts |
| An original Christmas carol, belonging in the "lively and upbeat" category. One percussionist plays triangle and sleigh bells, the other woodblock and bongos. Suitable for amateur choirs. | Choral part |
| —Available on the CD 21st Century Christmas | |
| The Labyrinth (2002) | 10:00 |
| vibraphone | |
| excerpt from the beginning (mp3) (rm) — excerpt from the ending (mp3) (rm) | |
| $15, available exclusively through HoneyRock Publishing. First Prize Winner in the Percussive Arts Society's Composition Contest, 2004. A whirlwind display of the vibraphone's capabilities, in a journey which is deliberately dizzying at first, then unfolds along increasingly understandable lines as the piece progresses. | |
| —Available on the CD The Doomsday Project | |
| LAUNDROMATICA DIABOLICA (The Devil's Laundromat) (1999) (mp3) (rm) | 7:00 |
| percussion quartet | |
| Travel through grooves reminiscient of cartoon music, funk, circus music, jungle beats, spy music, and more. Winner of the National Guild of Community Schools in the Arts Composition Contest, 1999. | |
| —Available on the CD The Doomsday Project | |
| Nautilus (2004) | 4:00 |
| marimba (4 octaves) | |
| The first in a series of pieces loosely inspired by the beauty and diversity of aquatic life. Suitable for highschool and college-aged performers. | |
| Quartet for the End of Music (2004) (mp3) (rm) | 7:00 |
| bass clarinet, cello, tuba, percussionist (marimba/bass drum) | |
| An intense piece of theatrical music, the Quartet requires the performers to be actors, singers, and instrumentalists. Recommended as the last piece on a program, since at the conclusion, the musicians fall over as if dead. Winner of the International Tuba-Euphonium Association's Harvey Phillips Composition Award, 2006. | |
| —Available on the CD New Music from Chappell's Kitchen | |
| Silence always wins (2007) | 8:00 |
| acoustic guitar, electric guitar, percussion, vibraphone, harpsichord, piano | |
| Three duos of "ancient" and "modern" instruments create a unique sound-world, both beautiful and grotesque. The musical material is based on several concepts: musical development through interruptions and juxtapositions — unfamiliar ways of playing instruments — the role of one instrument being taken over by another — the sound of notes fading into silence...This piece, written for a contest, is awaiting its première. | |
| Two Sketches (2004) | 5:00 |
| two 4-octave marimbas | |
| I: Lines. II: Colors. Two fairly easy pieces, the first developing long interwaving melodic lines, the second using luscious rolled chords. | |